DIRECTING /
Rabiger, Michael
DIRECTING / Michael Rabiger and Mick Hurbis-Cherrier; Illustrated by Gustavo Mercado - Sixth Edition - 582 pages: photos; 23.5 cm.
Includes index
THE DIRECTOR AND ARTISTIC IDENTITY THE WORLD OF THE FIRM DIRECTOR 9 DEVELOPING AS A DIRECTOR 25 THE STORY AND ITS DEVELOPMENT ESSENTIAL ELEMENTS OF DRAMA 41 SHAPING THE STORY INTO DRAMA 51 PLOT TIME AND STRUCTURE 65 THE DIRECTOR AND THE SCRIPT SCREENPLAY GROUND RULES 87 RECOGNIZING THE SUPERIOR SCREENPLAY 93 SCRIPT ANALYSIS AND DEVELOPMENT 109 AUTHORSHIP AND AESTHETICS CINEMATIC POINT OF VIEW 135 FORM AND STYLE 147 TONE,STYLE AND GENRE 159 A DIRECTOR'S SCREEN GRAMMAR FIRM LANGUAGE 173 THE FRAME AND THE SHOT 181 THE MOVING CAMERA 191 LANGUAGE OF THE EDIT 201 THE HUMAN VANTAGE IN CINEMATIC LANGUAGE 221 PREPRODUCTION EXPLORING THE SCRIPT 231 CASTING 243 ACTING FUNDAMENTALS 261 DIRECTING ACTORS 271 REHEARSALS 283 ACTING EXCERCISES 299 PLANNING THE VISUAL DESIGN 321 DEVELOPING THE SHOOTING SCRIPT 333 LINE PRODUCING AND LOGISTICS 353 PRODUCTION DEVELOPING A PRODUCTION CREW 377 THE DIRECTOR AND PRODUCTION TECH 397 ON SET PRODUCTION BEGINS 429 DIRECTING ON THE SET 443 MONITORING COMMUNITY AND PROGRESS 455 POSTPRODUCTION POSTPRODUCTION OVERVIEW 465 EDITING BEGINS GETTING TO KNOW THE FOOTAGE 471 THE ROUGH CUT 481 GETTING TO FINE CUT AND PICTURE LOCK 499 WORKING WITH MUSIC 505 THE FINISHING TOUCHES 515 GETTING IT OUT THERE 529 filmography 537 Photograph and Illustration Acknowledgements 547 index
9780815394310
Motion pictures--Production and direction
Motion pictures--Aesthetics
791.430233 / R23 2020
DIRECTING / Michael Rabiger and Mick Hurbis-Cherrier; Illustrated by Gustavo Mercado - Sixth Edition - 582 pages: photos; 23.5 cm.
Includes index
THE DIRECTOR AND ARTISTIC IDENTITY THE WORLD OF THE FIRM DIRECTOR 9 DEVELOPING AS A DIRECTOR 25 THE STORY AND ITS DEVELOPMENT ESSENTIAL ELEMENTS OF DRAMA 41 SHAPING THE STORY INTO DRAMA 51 PLOT TIME AND STRUCTURE 65 THE DIRECTOR AND THE SCRIPT SCREENPLAY GROUND RULES 87 RECOGNIZING THE SUPERIOR SCREENPLAY 93 SCRIPT ANALYSIS AND DEVELOPMENT 109 AUTHORSHIP AND AESTHETICS CINEMATIC POINT OF VIEW 135 FORM AND STYLE 147 TONE,STYLE AND GENRE 159 A DIRECTOR'S SCREEN GRAMMAR FIRM LANGUAGE 173 THE FRAME AND THE SHOT 181 THE MOVING CAMERA 191 LANGUAGE OF THE EDIT 201 THE HUMAN VANTAGE IN CINEMATIC LANGUAGE 221 PREPRODUCTION EXPLORING THE SCRIPT 231 CASTING 243 ACTING FUNDAMENTALS 261 DIRECTING ACTORS 271 REHEARSALS 283 ACTING EXCERCISES 299 PLANNING THE VISUAL DESIGN 321 DEVELOPING THE SHOOTING SCRIPT 333 LINE PRODUCING AND LOGISTICS 353 PRODUCTION DEVELOPING A PRODUCTION CREW 377 THE DIRECTOR AND PRODUCTION TECH 397 ON SET PRODUCTION BEGINS 429 DIRECTING ON THE SET 443 MONITORING COMMUNITY AND PROGRESS 455 POSTPRODUCTION POSTPRODUCTION OVERVIEW 465 EDITING BEGINS GETTING TO KNOW THE FOOTAGE 471 THE ROUGH CUT 481 GETTING TO FINE CUT AND PICTURE LOCK 499 WORKING WITH MUSIC 505 THE FINISHING TOUCHES 515 GETTING IT OUT THERE 529 filmography 537 Photograph and Illustration Acknowledgements 547 index
9780815394310
Motion pictures--Production and direction
Motion pictures--Aesthetics
791.430233 / R23 2020