MARC ayrıntıları
| 000 -BAŞLIK |
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| Sabit Uzunluktaki Kontrol Alanı |
05754na a2200925 4500 |
| 001 - KONTROL NUMARASI |
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| Control Dosyası |
233440 |
| 003 - KONTROL NUMARASI KİMLİĞİ |
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| Kontrol Alanı |
koha_MIRAKIL |
| 005 - EN SON İŞLEM TARİHİ ve ZAMANI |
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| Kontrol Alanı |
20221226090140.0 |
| 008 - SABİT UZUNLUKTAKİ VERİ ÖGELERİ - GENEL BİLGİ |
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| Sabit Alan |
190118b tu 000 0 |
| 040 ## - KATALOGLAMA KAYNAĞI |
|---|
| Özgün Kataloglama Kurumu |
CY-NiCIU |
| Kataloglama Dili |
tur |
| Çeviri Kurumu |
CY-NiCIU |
| Açıklama Kuralları |
rda |
| 041 0# - DİL KODU |
|---|
| Metin ya da ses kaydının dil kodu |
eng |
| 090 ## - Yerel Tasnif No |
|---|
| tasnif no |
YL 385 |
| Cutter no |
W27 2014 |
| 100 1# - KİŞİ ADI |
|---|
| Yazar Adı (Kişi adı) |
Warambwa, Chenjerai Rick |
| 245 0# - ESER ADI BİLDİRİMİ |
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| Başlık |
Identifying the "Local" in a globalized world |
| Alt Eseradı vb. |
An analysis of Southern African hip hop music and its appropriation of American rap |
| Sorumluluk Bildirimi |
Chenjerai Rick Warambwa; Supervisor: Jonathan Stubbs |
| 260 ## - YAYIN, DAĞITIM, VB. |
|---|
| Yayın Yeri |
Nicosia |
| Yayınevi |
Cyprus International University |
| Yayın Tarihi |
2014 |
| 300 ## - FİZİKSEL TANIMLAMA |
|---|
| Sayfa, Cilt vb. |
VIII, 104 p. |
| Diğer fiziki detaylar |
table |
| Boyutları |
30.5 cm |
| Birlikteki Materyal |
CD |
| 336 ## - CONTENT TYPE |
|---|
| Source |
rdacontent |
| Content type term |
text |
| Content type code |
txt |
| 337 ## - MEDIA TYPE |
|---|
| Source |
rdamedia |
| Media type term |
unmediated |
| Media type code |
n |
| 338 ## - CARRIER TYPE |
|---|
| Source |
rdacarrier |
| Carrier type term |
volume |
| Carrier type code |
nc |
| 500 ## - GENEL NOT |
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| Materials specified |
Includes CD |
| 504 ## - BİBLİYOGRAFİ NOTU |
|---|
| Bibliyografi Notu |
Includes bibliography (87-96 p.) |
| 520 ## - ÖZET NOTU |
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| Özet notu |
'ABSTRACT This thesis revisits the discourse about America's influence on African cultural industries and the texts they produce. However, it diverts argumentatively from previous inquests by demonstrating the agency and creative know how of indigenous musicians. As such, my thesis is a direct challenge to the claim that Africans are docile in their interaction with American popular music. More specifically, rap, a genre that is popular with African artists due to its 'radical' and 'counter-hegemonic' themes. My sample consists of three countries (Botswana, South Africa and Zimbabwe) that differ politically and economically, even though they are situated in the same region (Southern Africa). It is this study's hope that these inconsistencies will be reflected in the narratives of the respective rap hybrids. That said, my analysis proceeds from an understanding that hybrid music forms are used to reconfigure historical as well as contemporary cultural identities. Such a framework is crucial to my core argument as it suggests that the appropriation of rap music is predominantly under the influence of local conditions. Although the validity of my thesis relies on a positive portrayal of indigenous rappers, I will not overlook or ignore their creative shortcomings. With this in mind, borderline (hybrid) performances are susceptible to the unsavoury elements of the global or foreign culture. This possibility may only be cancelled through developing an understanding of local cultural values. By analysing the tone and themes exhausted in the rap hybrid, I will be able to establish whether local artists are privy to this reality. Key words: Hybridity, Americanization, Hip hop, Southern Africa ' |
| 650 00 - KONU BAŞLIĞI EK GİRİŞ - KONU TERİMİ |
|---|
| Konusal terim veya coğrafi ad |
Amerikalılaştırma |
| 650 00 - KONU BAŞLIĞI EK GİRİŞ - KONU TERİMİ |
|---|
| Konusal terim veya coğrafi ad |
Americanization |
| 650 00 - KONU BAŞLIĞI EK GİRİŞ - KONU TERİMİ |
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| Konusal terim veya coğrafi ad |
Melezlik |
| 650 00 - KONU BAŞLIĞI EK GİRİŞ - KONU TERİMİ |
|---|
| Konusal terim veya coğrafi ad |
Hybridity |
| 700 0# - EK GİRİŞ - KİŞİ ADI |
|---|
| Yazar Adı (Kişi adı) |
Supervisor: Stubbs, Jonathan |
| 9 (RLIN) |
1656 |
| 942 ## - EK GİRİŞ ÖGELERİ (KOHA) |
|---|
| Sınıflama Kaynağı |
Dewey Onlu Sınıflama Sistemi |
| Materyal Türü |
Thesis |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
1 |
| Title |
INTRODUCTION |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
5 |
| Title |
Objectives of the Study |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
6 |
| Title |
Thesis structure |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
7 |
| Title |
Conclusion |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
9 |
| Title |
CHAPTER 1: AMERICAN RAP AETHETICS |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
9 |
| Title |
The Keeping it Real (Authenticity) Doctrine |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
11 |
| Title |
An (UN) Likely Alliance : American Rap and the Capitalist Ideology |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
17 |
| Title |
''Pimps Up'' Hos Down '': An Assessment of the Portrayall of Women in American Rap |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
19 |
| Title |
Eurocentric Standards of Beauty |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
19 |
| Title |
Rap Musics as an Art Form: Unpacking the Genre's Aesthetics |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
19 |
| Title |
Vocal and Writting skills |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
21 |
| Title |
The Art of Sampling and Beat-making |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
23 |
| Title |
Locating Hybridity in the Third Space |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
24 |
| Title |
Manufacturing African Consent In The ''soft power'' Era |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
26 |
| Title |
Conclusion |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
31 |
| Title |
CHAPTER 2: THE SOUTH AFRICAN RAP HYBRID |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
31 |
| Title |
Tracing the Footstep of South African Hip Hop |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
33 |
| Title |
Rap's Participation in a ''New '' and ''Democratic'' South Africa |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
34 |
| Title |
''ZEF'' Culture and the Emergence of a White Basterdised Identity |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
36 |
| Title |
Batting Nostalgia in the ''New'' South Africa: Do you remember when |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
38 |
| Title |
Zef's attitude towards materialism |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
41 |
| Title |
Introducing the New School |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
41 |
| Title |
South Africa's version of 'Bling' rap |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
42 |
| Title |
Money makes the World go Round |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
45 |
| Title |
Honouring the Player/Ho dichotomy |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
48 |
| Title |
Conclusion |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
52 |
| Title |
CHAPTER 3: THE ZIMBABWEAN RAP HYBRID |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
52 |
| Title |
Zimbabwe's Third chimurenga (Revolution): An Intersection of Politics and Rap |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
56 |
| Title |
Between a Rock and a ''Familiar'' Place : Urban Grooves Identıty Crisis |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
61 |
| Title |
The Representation of Women in Urban Grooves |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
65 |
| Title |
Conclusion |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
70 |
| Title |
CHAPTER 4: THE BOTSWANA RAP HYBRID |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
70 |
| Title |
Unlockıng Botswana's Political Stability |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
71 |
| Title |
Botswana Rap 'Spreads' its Wings |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
73 |
| Title |
Gabs City to Mmabatho : The Motswako Music Empire |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
76 |
| Title |
Global Sucess makes more Cents : An Analysis of Blig Rap in Botswana |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
79 |
| Title |
Conclusion |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
83 |
| Title |
FINAL REFLECTIONS |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
83 |
| Title |
Introduction |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
83 |
| Title |
Redefining history in the Contemporary Milieu |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
84 |
| Title |
Striking a balance between the National and Global Youth Culture |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
84 |
| Title |
Remixing the global or identififying the 'self' within Global Discourses |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
85 |
| Title |
Hypermasculinity knows no boundaries |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
85 |
| Title |
Troubling depictions of Women in the rap hybrid |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
85 |
| Title |
Weakness of the Study |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
85 |
| Title |
Recommendations |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
87 |
| Title |
BIBLIOGRAPHY |
| 505 1# - İÇİNDEKİLER NOTU |
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| Miscellaneous information |
97 |
| Title |
VIDEOGRAPHY |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
99 |
| Title |
DISCOGRAPHY |
| 505 1# - İÇİNDEKİLER NOTU |
|---|
| Miscellaneous information |
100 |
| Title |
APPENDIX |