Film Analysis : A NORTON READER / Edited by Jeffrey Geiger, University of Essex, and R.L. Rutsky, San Francisco State University.
Dil: İngilizce Yayıncı: New York : W.W. Norton & Company, 2013Baskı: Second EditionTanım: xvii, 1134 pages : illustrations, photos ; 23 cmİçerik türü:- text
- unmediated
- volume
- 9780393923247 (paperback)
- 791.4375 G45 2013
Materyal türü | Geçerli Kütüphane | Koleksiyon | Yer Numarası | Kopya numarası | Durum | Notlar | İade tarihi | Barkod | Materyal Ayırtmaları | |
---|---|---|---|---|---|---|---|---|---|---|
Reserve Books | CIU LIBRARY Rezerve | Rezerv Koleksiyon/Reserve Collection | 791.4375 G45 2013 (Rafa gözat(Aşağıda açılır)) | C.1 | Kullanılabilir | Deniz Plaza | 0017828 |
Includes index
Includes bibliographical references
Arrival of a Train at La Ciotat (1895-1897), Lumière Brothers
Karin Littau-A Trip to the Moon (1902), Georges Méliès
Tom Gunning--The Birth of a Nation (1915), D. W. Griffith
Daniel Bernardi--The Cabinet of Dr. Caligari (1920), Robert Wiene
Paul Coates--Nanook of the North (1922), Robert J. Flaherty
Jeffrey Geiger--Sherlock, Jr. (1924), Buster Keaton
Hal Gladfelder--Battleship Potemkin (1926), Sergei Eisenstein
Bill Nichols--Metropolis (1927), Fritz Lang
R. L. Rutsky--Un chien andalou (1929), Luis Buñuel and Salvador Dalí
Tom Conley--It Happened One Night (1934), Frank Capra
Richard Maltby--Modern Times (1936), Charlie Chaplin
Charles J. Maland--Osaka Elegy (1936), Mizoguchi Kenji
Joanne Bernardi--Bringing Up Baby (1938), Howard Hawks
S. I. Salamensky--The Rules of the Game (1939), Jean Renoir
Christopher Faulkner--Stagecoach (1939), John Ford
Matthew Bernstein--Citizen Kane (1941), Orson Welles
James Naremore--Casablanca (1942), Michael Curtiz
Dana Polan--Meshes of the Afternoon (1943), Maya Deren and Alexander Hammid
Juan A. Suarez--Double Indemnity (1944), Billy Wilder
Gaylyn Studlar--Rome Open City (1945), Roberto Rossellini
Marcia Landy--Bicycle Thieves (1948), Vittorio De Sica
Geoffrey Nowell-Smith--The Red Shoes (1948), Michael Powell and Emeric Pressburger
Ian Christie--Rashomon (1950), Kurosawa Akira
Aaron Kerner--Singin' in the Rain (1952), Stanley Donen and Gene Kelly
Jane Feuer--Tokyo Story (1953), Ozu Yasujiro
David Desser--Rear Window (1954), Alfred Hitchcock
Elizabeth Cowie--Seven Samurai (1954), Kurosawa Akira
Mitsuhiro Yoshimoto--Pather Panchali (1955), Satyajit Ray
Neepa Majumdar--The Seventh Seal (1956), Ingmar Bergman
Marilyn Johns Blackwell--The 400 Blows (1959), François Truffaut
Alastair Phillips--Breathless (1960), Jean-Luc Godard
Richard Neupert--8 1/2 (1963), Federico Fellini
Kriss Ravetto-Biagioli--2001: A Space Odyssey (1968), Stanley Kubrick
Robert Kolker--The Godfather (1972), Francis Ford Coppola
Jon Lewis--Ali: Fear Eats the Soul (1974), Rainer Werner Fassbinder
Shohini Chaudhuri--Chinatown (1974), Roman Polanski
Steve Neale--The Last Supper (1976), Tomás Gutiérrez Alea
Gilberto M. Blasini--Taxi Driver (1976), Martin Scorsese
Cynthia Fuchs--Ceddo (1977), Ousmane Sembene
Philip Rosen--Peking Opera Blues (1986), Tsui Hark
Jenny Kwok Wah Lau--Yeelen (1987), Souleymane Cissé
N. Frank Ukadike--Do the Right Thing (1989), Spike Lee
Sharon Willis--Close-up (1989), Abbas Kiarostami
Hamid Naficy--To Sleep with Anger (1990), Charles Burnett
Valerie Smith--Raise the Red Lantern (1991), Zhang Yimou
Shuqin Cui--Daughters of the Dust (1991), Julie Dash
Anna Everett--Pulp Fiction (1994), Quentin Tarantino
A. J. Haynes-All About My Mother (1999), Pedro Almodóvar
Paul Julian Smith--In the Mood for Love (2000), Wong Kar Wai
Gina Marchetti--Caché (Hidden) (2005), Michael Haneke
Kevin Sherman
--Film Analysis: Approaches and Strategies
Film Analysis
RTVC342