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OTTOMAN BAROQUE / ÜNVER RÜSTEM

Yazar: Dil: İngilizce Yayıncı: Princeton : PRINCETON UNIVERSITY PRESS, 2019Tanım: xi, 324 pages : photos ; 29 cmİçerik türü:
  • text
  • still image
Ortam türü:
  • unmediated
Taşıyıcı türü:
  • volume
ISBN:
  • 9780691181875
Diğer başlık:
  • THE ARCHITECTURAL REFASHIONING OF EIGHTEENTH-CENTURY ISTANBUL
Konu(lar): DDC sınıflandırma:
  • 724.160949618 R87 2019
İçindekiler:
-Setting the scene-the return to Istanbul-Pleasing times and their "pleasing new style-Mahmud I and the emergence of the Ottoman Baroque-A tradition reborn-the Nuruosmaniye mosque and its global audiences-The old, the new, and the in-between- stylistic consciousness and the establishment of tradition-At the sultan's threshold -the architecture of engagement as new imperial paradigm--Conclusion OTTOMAN BAROQUE
Materyal türü: Books
Mevcut
Materyal türü Geçerli Kütüphane Koleksiyon Yer Numarası Kopya numarası Durum Notlar İade tarihi Barkod Materyal Ayırtmaları
Reserve Books Reserve Books CIU LIBRARY Rezerve Rezerv Koleksiyon/Reserve Collection 724.160949618 R87 2019 (Rafa gözat(Aşağıda açılır)) C.1 Kullanılabilir Deniz Plaza 0031628
Toplam ayırtılanlar: 0
CIU LIBRARY raflarına göz atılıyor, Raftaki konumu: Rezerve, Koleksiyon: Rezerv Koleksiyon/Reserve Collection Raf tarayıcısını kapatın(Raf tarayıcısını kapatır)
721 W45 2020 Structures by Design / 721.7 E66 2020 CEILINGS AND DREAMS / 722.3 A96 2020 EGYPTIAN PLACES: An Illustrated Travelogue / 724.160949618 R87 2019 OTTOMAN BAROQUE / 724.6 M67 2021 Platform Urbanism and Its Discontents / 724.6 N45 2021 JAPAN / 724.7 B25 2020 IN MEMORY OF DESIGNING CONTEMPORARY MEMORIALS /

Includes index

Includes bibliographical references (pages 294-312)

-Setting the scene-the return to Istanbul-Pleasing times and their "pleasing new style-Mahmud I and the emergence of the Ottoman Baroque-A tradition reborn-the Nuruosmaniye mosque and its global audiences-The old, the new, and the in-between- stylistic consciousness and the establishment of tradition-At the sultan's threshold -the architecture of engagement as new imperial paradigm--Conclusion OTTOMAN BAROQUE

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