000 | 02562nam a22006017a 4500 | ||
---|---|---|---|
003 | KOHA_MİRAKIL | ||
005 | 20221103135255.0 | ||
008 | 211122d2018 xxuo|||| |||| 001 0 eng d | ||
020 | _a9781138235144 | ||
040 |
_aCY-NiCIU _beng _cCY-NiCIU _erda |
||
041 | _aeng | ||
082 | 0 | 0 |
_a777 _bH67 2018 |
100 | 1 |
_aHoser, Tania _eauthor |
|
245 | 1 | 0 |
_aIntroduction to Cinematography / _cTania Hoser |
246 | 2 | 3 | _aLearning Through Practice |
264 | 1 |
_aNew York: _bRoutledge, _c2018. |
|
300 |
_a396 pages: _bphotos _c28 cm. |
||
336 |
_2rdacontent _atext _btxt |
||
337 |
_2rdamedia _aunmediated _bn |
||
338 |
_2rdacarrier _avolume _bnc |
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500 | _aIncludes index | ||
590 | _aCinematography | ||
590 | _aRTVC253 | ||
650 | 0 | _aCinematography | |
942 |
_2ddc _cBK |
||
505 | 1 |
_g1 _tThe Bigger Picture |
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505 | 1 |
_g3 _tCinematography The Bigger Picture |
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505 | 1 |
_g19 _tEssential Working Knowledge for Cinematographers and Camera Assistants |
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505 | 1 |
_g37 _tCamera Assistant Skills |
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505 | 1 |
_g53 _tFundamental Photographic Knowledge for Cinematography |
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505 | 1 |
_g77 _tAssembling the Camera and Preparing to Shoot |
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505 | 1 |
_g101 _tCamera Preparation and Testing |
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505 | 1 |
_g113 _tUnderstanding and Managing the Digital Workflow from Camera to Screen |
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505 | 1 |
_g139 _tStorytelling : Shots Scenes and Time |
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505 | 1 |
_g141 _tStorytelling in shots: Lenses and Composition |
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505 | 1 |
_g165 _tStorytelling in Scenes Constructing the Scene and Working with the Director |
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505 | 1 |
_g185 _tSpeed and Time |
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505 | 1 |
_g203 _tShooting Creatively and Efficiently When Working Alone |
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505 | 1 |
_g231 _tCamera Operating and Methods of Moving the Camera |
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505 | 1 |
_g233 _tCamera Operating |
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505 | 1 |
_g251 _tLight and Lighting |
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505 | 1 |
_g253 _tLighting the Fundamentals of Lighting . Light Metering and Exposure |
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505 | 1 |
_g269 _tLighting Natural and Available Light |
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505 | 1 |
_g285 _tShaping and Controlling Light |
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505 | 1 |
_g311 _tLighting Locations and Studio Sets |
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505 | 1 |
_g335 _tColor: Image Control and Creating the Look of the Film Combining and Using All Aspects of Cinematography Creatively |
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505 | 1 |
_g337 _tColor Image Control and the Look of the film |
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505 | 1 |
_g361 _tWorking In the Film and Television Industries |
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505 | 1 |
_g363 _tStarting and Developing a Career in Cinematography |
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505 | 0 |
_g393 _tIndex |
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999 |
_c283277 _d283277 |